
Redshift
A 12-song album to soundtrack moonsilvered night drives on the patchy back roads of a sprawling soundscape—out where the county lines of art-folk, indie rock, and Americana meet.
A 12-song album to soundtrack moonsilvered night drives on the patchy back roads of a sprawling soundscape—out where the county lines of art-folk, indie rock, and Americana meet.
An analysis of a slow-burn, coming-of-age horror that asks the most important spiritual question of our times: “What if the internet's a demon we summon into our lives by posting on it?”
WARNING: Spirits in the mirror are closer than they appear in this midwest ghost story.
An album review (sorta), but mostly a look at the craft of veteran songwriter/producer operating at the top of his game
On Rick Bass, the spirituality of working at your craft, and fighting for what makes you feel free
Let he who has not been cringe cast the first ironically detached subtweet
Every October since 2018, on a coffin-black night in Chicago, local indie filmmakers and horror buffs gather to make their offerings to Homemade Horror Show—an annual anthology of indie horror/comedy shorts.
A stripped-down, live, solo version of "Cracks" from our debut show at the Hideout in Chicago last August
So Before we go There’s something you ought to know There are bones In the shipwrecks below Holding their dying pose And they went Clawing for breath Clinging to hope that They would make it Out Mmm Out And when The panic sets in And your body betrays you
(The lapping of waves—as the moon fingerpicks gently the morning lake water—mixes with indecipherable, ancient, whispered secrets about the true nature of the universe, time, being, etc., all suddenly grasped at last, albeit ephemerally)
Blue bleeds through the blinds Another new year The same old lang synes Come… come… I saved your birthday cards “Your twenties,” you wrote “are gonna be hard” But there’s empty fifths in your trash And there’s questions that I’m too terrified to ask Yeah… Feel the
Your uncle’s on his shit again Four fingers of Midleton Nursing all his lone regrets Laughing off his eulogy That all the fools he used to be And all the men he might have been Wound up him instead What will you have when you’re looking back Once
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I hear the drum of a desperate moth Caught in the screen and glass The streetlights reach in through the curtain cloth Stretching the shadows cast We pick ourselves from the city’s teeth Throw some worn-out record on And each of our breaths is deafening In the silence between
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Do those sirens always blow? Did this time bomb finally explode? They want you all in cities now Herded on the coasts The center cannot hold And you’ll be armed with nothing but your conscience when it goes If you make it out you can stay with me, yeah
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The ninth drink delivers The lines you've prewritten And a voice like yours admits no wrong I swirl the ice inside my glass Drowning out the very last words I should say I guess that Everybody’s got a trusty lie they tell We fool ourselves with our
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All the trees flail their skeleton hands Warning us to double back We trudge through the boot prints Strangers cut through this And make it out in someone else’s tracks Gentler weather held you together But this rough stretch rends your seams The sidewalks go jagged And the highways
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Your sleeveless heart It starts its fire for the night Kindles its conviction with some lines From books you’ve barely put a crease in You’re in the dark And all lit up on your father’s gin You nihilist, you feel no consequence Of needing nothing to believe
A Cross on a Gravel Road
I said ‘Elizabeth, I know You can’t wait to get out of here But I bet you look back when you’re leaving’ We were the lone lights on the road Drifting over county lines A bottle at our feet She said ‘I know this place too well to
The Okay Lakes
The 12-song LP is a cinematic soundtrack to a night drive on the patchy back roads of a sprawling Midwest soundscape, out where the county lines of baroque folk, art rock, and Americana meet.
The Okay Lakes
Hear the title track off the album (out next week!)
The Okay Lakes
A simple, windswept, string-laden guitar tune that sounds best when played with frost-bitten fingers
The Okay Lakes
Watch the album art trailer and get details on the album release show at Hideout in Chicago
The Okay Lakes
An anthem to soundtrack late-night drives on the back roads
The Okay Lakes
The rest of the song of "A Cross on a Gravel Road” took a long time to find. And when it finally arrived, it lit the way for the rest of the album’s songs to follow. The central image, however, was immediate.